The digital arts use mass media as tools are not yet mass phenomena. They find their greater representation and celebration of festivals and exhibitions. Use new languages \u200b\u200bof communication and expression. The 'digital art appropriates, defines and shows the changes of real crosswise, using the old and new media, but at the same time remain detached from the big media systems, almost elitist. Perhaps necessarily incomprehensible?
been more than four decades from the beginnings of digital art, from those new ways of thinking and create a work of art using new tools and technologies. The electronic art, reworking the data and the expressive and communicative potential of new media has changed the meaning and concept of art work, making the process of deconstruction of traditional categories of painting and sculpture (art space), literature and poetry (the arts of the time) began with the avant-gardes.
Electronic Arts, video art, art-tv video installation, video performance , satellite art, interactive art , web and net art, computer animation / film / vfx, interactive, digital musics & sound art, hybrid arts: artistic expressions are all focused on the use of technology, eliminating the traditional to the creative processes of the brain. They are the fruit of an intimate interaction between artist and machine. Work are added suggestions of music, words, sounds, movement, the passage of time the contract or accelerated, new perceptions, performance and size of event.
Nel1965 Sony launched the Porta Pack, the first amateur camera handset, which gives the incipit two practices use of video: the documented information amateur, independent, and that of artistic experimentation, thus sanctioning the birth of video art . The first experiments, however, date back to 1952 with the "Manifesto of the movement space for television " by Lucio Fontana and, subsequently, with the first of decoupage and décollage Vostel Wolf (1958-1959) when entering and screens TV shows in the works of art. It is with the Korean Nam June Paik that lay the foundations of art electronics, where, since 1965, began working with the creative support of the portable camera, and since 1963 creates flows of shapes and sounds inside the TV screen. Fundamental group of the experiments were Fluxus, which was part of Nam June Paik, searches and Woody Steina Vasulka , registrations Gerry Schum, installations of Bruce Nauman . As well as the next generation of pioneers, moving from the interactions mediated by technology Studio Azzurro the work of Robert Cahen , Tony Oursler, Matthew Barney and Bill Viola .
The electronic art becomes a way of seeing, rather than to represent: it operates as a metaphor for relationships and desires, investigation and interpretation, transfiguration. The artist manipulates the appearance
dell'être, introducing new meanings and long relationships [ypsilon reports, jovenal] thanks to electronic technology, the carrier number. Art, technology, interaction and participation of the observer.
is precisely the participation of the observer who creates the most interactions, almost intimate: participation emotional, mental and physical, to encompass part of the work with, a trigger, bait, functional and interactive.
What are the new frontiers of electronic ars? Particularly in the international scene, the events dedicated to the intersection of electronic arts, visual arts, music and performance are numerous.
Especially the festival, which represent the most common way to present the electronic arts are the vehicle to predict the public and professionals, have put the technology to celebrarla.Forse the principal is the 'Ars Electronica Festival Liz Now in its 30th edition, one of the largest and most important international event dedicated to digital art. Together from all over the world artists, curators and intellectuals, recently inaugurated the new Ars Electronica Center , a 3-story museum dedicated to technology. A level International, then, the Performa 09 Biennial and Conflux Festival in New York, the Freewaves Festival of Experimental Media Art Los Angeles 's Annual Subtle Technologies Festival, University of Toronto ;' s Electronic Language International Festival of Sao Paulo; the Festival Internacional de Video / Arte / Electrónica (VAE) in Peru 's International Symposium on Electronic Art in Singapore, in Japan, the biennial festival of art Interactive IAMAS and Japan Media Arts Festival Tokyo.A level of Italian to remember the MUV festival, music and digital arts in Florence, SHARE FESTIVAL Experiences in digital art & culture Netmag of Turin and the International Live-Media Festival of Bologna.
However, at electronic arts are a phenomenon that does not involve the mass.
use the tools without being a mass phenomenon and phenomenology that produce is not perceived in the upper layer of the city, on the surface.
not find a space like and do not even have the same success of the film and television, perhaps because of incompatibility.
technology is soaked television, cinema, radio, advertising and many digital artists are often asked to produce for the old media will bring their own value, but paradoxically does not benefit most.
Digital art is still a phenomenon still too elitist.
has changed the role of the artist in an era iperfigurativa.
hybrid position they see him with his work and his research on the complexity of this, as opposed to the practice simplistic and demagogic, almost voyeuristic of general thought.
market rules and the audience then collide with the search cross-media art. Become
should therefore encourage, by all means, the spread of languages \u200b\u200bassociated with Electronic Arts to open gates of the report and comparison between artist and audience, and determine interventions in people with people.
The place that belongs to the community becomes the arena of this direct comparison, the average becomes the only device to activate the machine reports, but the people are the real node connectors, and the artist, a sort of community artist, working closely with the community taking back its active role in society.
(Guido Faggion)
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