The cultural and national museums has recently been enriched with MAXXI, National Museum of XXI Century Arts , officially opened in Rome on 30 May.
A three-day inaugural festival, 1000 journalists and experts from around the world, guests all'opening 7500, over 15,000 admissions on the opening day of the gates to the public and over 25,000 in the days to follow.
After ten years of work, life took up the first national museum devoted entirely to contemporary art and new forms of expression of our century.
Designed by Zaha Hadid, MAXXI is a form of modern architecture that engages fully with historic building. A wave form of exposed concrete and black-lit stairs internally developing a path to joints. Architecture anthropomorphic composite flows. A smooth flow of empty and fluid transparency. The modular flow
MAXXI intersects the exhibition even criticized the proposed new museum is completed and concludes that in view of the second floor.
Area, volumes, paths, streams, light and transparency to fill and live.
MAXXI is designed as a building where, at the project level, dominates the power lines, with a great variety and abundance of space to accommodate the different arts, to be a meeting place, alive.
architecture and strong impact that envelops the viewer and has also raised some concerns about the use and construction of the works. The museum is not just a place to set up or to hang two-dimensional works.
Today the museum is a living space such as squares, in his views and spaces, flows in the halls.
Today the museum becomes an environment experienced by people at the community level to discuss, compare, and relate not only dedicated exhibition for aesthetic admiration.
criticism, one of the museum in high-impact structures, which no longer makes sense given that the container, architectural and space dimensions and elements that blend with the exhibits. Already the architect Frank Lloyd Wright with its famous spiral ramp to the Solomon R. Guggenheim in New York divided the space of the museum in its alcove similar to studies in which the artist's paintings were to be left on the ground, leaning against the perimeter wall angle, as if they were on a tripod, illuminated by overhead light from outside. "
The modern museum is modular, is reinventing itself, allows curators and artists to confront new forms of representation always creating unique experiences and enjoyment. The container museum / mausoleum is transformed into an arena that encourages new forms of preparation and representation, able to reinvent the space, enjoyment and experience.
MAXXI began his journey to be not only home exhibition of works of art of our century, but also expressive languages \u200b\u200band international partner laboratory of artistic experimentation, a crossroads of different forms of expression, creation and productivity.
As rightly stressed the young curators of the museum, MAXXI is comparable to the Web, you leave a gap of many abscesses and multidisciplinary, able to give the viewer the opportunity to create their own path, to enhance the interdisciplinary, the multiple views and participation. The buoy
silver, so it's already been nicknamed, is the new national space of the arts of our century, a space to be filled and life, which spans the present and future rides.
Faggion Guido, "MAXXI buoy silver in Rome," CircÓs, 17/06/2010
http://www.theprimate.it/index.php?apri=CircosArticle & primateID = 103
0 comments:
Post a Comment